"Napoli is a comedienne who can be both attractive and goofy at the same time."

— Bill Marx, WBUR

"Napoli proves the adage that the best presents come in small packages. She’s a charming comic actress…"

— Suzanne Bixby, Talkin’ Broadway

"Napoli steals every scene, making every glance and
gesture supremely entertaining."

— Vladimir Zelevinsky, Boston Globe

"But the real reason for taking in the over-milked Epic Proportions is Napoli, with her perky authority, mincing robot walk, and- as she moves from extra’s camp counselor to Cleopatran damsel in distress- woozy thrall. In this performance, cartoon is folded into reality in just the right proportions."

— Carolyn Clay, Boston Phoenix

"Napoli is so good that you can’t help but hope for a rewrite that develops her character more completely…"

— Nick Dessault, Boston Metro

"Napoli delivers a wonderful sense of eagerness and innocent enthusiasm…"

— Terry Byrne, Boston Herald

"I must note here that Napoli, in addition to her other talents, brought to this show the most beautiful legs I have seen on any stage since Blythe Danner."

— Larry Stark, Theatre Mirror

"Napoli combines appealing vulnerability and crisp cockiness…"

— Jules Becker, Boston Metro

" Napoli is a Christmas gift all by herself. She’s adorable. She’s wacky."

— Beverly Creasy, Theatre Mirror

"Napoli delivers a near-perfect portrayal. The actress’s abilities are never in question as she expertly combines expressiveness and awkwardness to create her character."

— Gina Perille, Boston Globe

"Not only does her inventiveness seem limitless, there isn’t a trace of knowingness about her- you never get a sense of Ms. Napoli striving for effect; (she also has a beautiful underlying poignancy; so important for a clown!). And though something tells me Ms. Napoli could rubber band across the stage or hit the floor like a plank if she had to, she is by and large a dainty lass with the mischief and mayhem bubbling just beneath the surface of her prim yet cartoon like mask. She bears such a striking resemblance to the late Imogene Coca in both looks and temperament that whenever she appears, the era of Screwball Comedy gives way to the Golden Age of Television. Someone should write some sketches for Ms.Napoli, find her a young Sid Caesar, and turn ‘er loose."

— Carl A. Rossi, Theatre Mirror

"She is both comic and tender, sexy and unselfconscious."

— Jan Nargi,  BroadwayWorld.com

"Napoli steals the show…"

— Donna Thompson, The Journal

"She gags when sipping a martini and it’s genuinely funny. She simpers when wrongly accused of having an affair and it’s funny."

— Larry Parnass, Hampshire Gazette